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In Milan yesterday, Etro chose light. Not the blinding light of glamour, nor the artificial glow of the runway, but a light that slowly changes, that moves across surfaces, fades colours, reveals and conceals at once. “Halo,” the title of the Spring Summer 2027 collection, is first and foremost an atmosphere: an aura surrounding the body, an almost intangible presence accompanying the transformation of the house. Following the departure of Marco De Vincenzo, Etro is entering a season of transition. Rather than seeking a clean break, however, the house has chosen continuity. But a more elusive, more delicate kind of...

Milan didn’t sleep last night. It walked. Under the glass dome of the Galleria Vittorio Emanuele II, Milan became the stage for Vogue World. Lights, music, couture, celebrities. Everything at once. Everything in an instant. And no, this wasn’t simply a fashion show. It was a spectacle. The kind designed to be remembered. Vogue World took Italy and put it on stage without leaning too heavily on nostalgia. The Renaissance, craftsmanship, industry, Dolce Vita. And then the future. Because celebrating tradition is one thing. Stopping there would be far less interesting. The evening began with the hands. Embroidery, craftsmanship, fabrics,...

There comes a moment in a brand’s history when evolving also means remembering where it began. For EGONLAB, that moment is Fall Winter 2026. Titled Lazarus, the new collection by Florentin Glémarec and Kévin Nompeix draws on the idea of resurrection to explore a return to the brand’s roots—and, at the same time, a renewed sense of creative freedom. This is not nostalgia, but transformation. The starting point is tailoring, reinterpreted through sharp silhouettes, defined shoulders, amplified proportions and trompe-l’œil details. Suits and coats meet draping, denim, leather, knitwear and tartan, creating a constant dialogue between discipline and instinct, structure...

London, September 20, 2026 After twenty-five years, McQueen returns to London. For Spring Summer 2027, Seán McGirr chooses the Undercroft of Lincoln’s Inn Chapel, a Gothic, suspended space perfectly suited to a collection built on contrast. British tailoring meets the London night. Sharp-shouldered suits, leather, mesh, corsetry and metallic details transform the rigor of Savile Row into something more instinctive and unsettling. McGirr looks to Piero della Francesca and The Baptism of Christ, but also to the energy of Keith Flint and The Prodigy. The Renaissance meets rave culture, purity meets excess, the angel meets the club kid. This is...